Details
Length: 5.50 m (550.00 cm) ; Width: 1.19 m (119.38 cm)
Blouse Piece: No
Wash Care: Dry Wash
Blouse: Su, the model is wearing size S of blouse called Blue and Grey Alat Palat.
Fabric: Mul Cotton
Disclaimer: The pictures are clicked in daylight. Color may vary slightly from the image due to the screen brightness.
Story
The breath of life is in the mellow sunlight washing over her. Some days the memories knock the breath out of her. To chase a feather, a pink butterfly with gossamer wings, her green pattu pavada wrapped around her legs that curtailed her running faster. Her pati had stitched it for her, and a month and a half of summer every year, she felt simply airborne. Whoever says great things don’t come from comfort zones? That piece of Mul draped on her its irresistibility comes from the starlight and soaks her to the bones. Green is the colour she chooses to wear, the colour of nature. It is life, renewal, nature, energy. And envy too. I kind of know that bit, as I look at her! The colour green is not just a colour any longer. It is a symbol of ecology and a verb.
And Mysore is a land of kings and valour and temples and rich weaves and her reminiscing…
Description
The mul cotton is what we call ‘made in heaven’ at Suta. Known in West Bengal as mul mul, the fabric is what can be categorised as muslin cotton. It is believed that this fine method of weaving cotton can be traced back to even before the Indus valley civilization. What makes this fabric special is the almost magical process of weaving it. Cotton fibres are separated and spun into strong threads. The lightest and the most delicate fibres are separated and are then spun into muslin thread. These are then woven into fabrics by skilled weavers. The history of muslin weaving is a beautiful chapter in the history of Indian textiles. The process of the yore was much more complex and involved many unique tools that look primitive but worked like magic. The upper jaw of a catfish was used to initially clean the cotton before spinning. To separate the lightest fibres, a Dhunkar (a bamboo bow) was used, which when strung in a distinctive way made the lighter fibres rise above the heavier ones. This process gave the title ‘woven air’ to the muslin fabric. Weavers famously wove on looms that were at ground level and operated the looms from pits dug in the ground. Even during the Mughal era, the muslin fabric was seen as a symbol of power for its finesse. History is full of anecdotes to prove the awe that the muslin fabric generated. Emperor Aurangazeb is said to have chided his daughter Zeb-un-Nisa for appearing naked in the court when in reality she had been wearing several layers of the muslin cloth! Such was the fabric’s delicateness. The almost invisible fabric had made an Arab traveller in the 10 th century remark that the degree of fineness is such that a garment can be drawn through a ring of a middling size. During the British colonisation and even during the Mughal rule, the art of weaving muslin took a hit as weavers were treated poorly and drought hit many of the weaving centres. As a result, today, the process of weaving has seen a lot of change. Nevertheless, the essence of it hasn’t changed and the charm of the fabric still remains.